Friday, December 15, 2017
Greetings waveriders! It's your old pal Penfold coming to you with a new musical recommendation. Today I'd like to highlight an enchanting album that managed to escape my notice when it was initially released. Thankfully I stumbled upon it recently and these tunes have been played repeatedly ever since. Yes my friends, This Guitars from Grandkids is definitely worthy of your time and interest!
What makes this release so interesting to my ears is the difficulty I have in firmly nailing down an accurate description of the band itself. Is Grandkids a folk/americana outfit? Yes, I would say the bedrock of the group's sound is folk music but that is simply the jumping off point. From there you must factor in noise rock, classic rock, jazz, as well as more exotic musical strains that influence the proceedings. Also, vocalist Vivian McConnell effortlessly grabs the listener's attention thanks to her elegant, insistent voice. Her tonality and the technique she utilizes remind me of Exene Cervenka.
Grandkids' songs fluidly lead into one another but they don't hesitate to throw curveballs. For example album opener "Dust Cabin" begins with a rather subdued, confident swagger. Shortly thereafter the listener is hit with heavily distorted guitar along with thumping, downbeat-emphasizing drums. You might expect the remaining songs to follow a similar sonic template. Two tracks later however "Dinner Women" sounds like the result of adding discordant melodies to a 1960s psychedelic folk song. "Only To Be Blue" is a wonderfully jazzy number. "Royal Jam" leans heavily on a noise rock vibe. "Pinball" could have been taken from the sessions which spawned Led Zeppelin III.
What I am attempting to say waveriders is that despite all the unique qualities of these songs, they combine to form a bewitchingly cohesive whole entitled This Guitars. I used a descriptor in my introduction to this review and I'm going to use it again. Grandkids produce enchanting music. Feed your ears and pick up your copy of this album today!
Thursday, December 14, 2017
CORROSION OF CONFORMITY Issues Part Four Of Their No Cross No Crown Video Series; North American Tour With Black Label Society Nears
[photo by Dean Karr]
View / Share CORROSION OF CONFORMITY's latest video blog at:
Part four of CORROSION OF CONFORMITY's No Cross No Crown video blog series is now playing. In an interview conducted by J. Bennett, the band discusses their sound evolution from their earliest days to now.
Watch the clip at the Nuclear Blast YouTube channel HERE.
View previous clips:
Part One - How It Feels To Be "Back:" HERE
Part Two - Working With John Custer: HERE
Part Three - Expectations Of Making A New Record With Pepper Keenan: HERE
No Cross No Crown, which marks the first recording with vocalist/guitarist Pepper Keenan in over a decade, will see worldwide release on January 12th, 2018 via Nuclear Blast Entertainment on CD, digital, vinyl, and cassette formats. Various preorder bundles are currently available at nuclearblast.com/coc-nocrossnocrown.
Listen to CORROSION OF CONFORMITY's first single from No Cross No Crown, "Cast The First Stone" HERE.
Watch the band's recently-issued video for "Wolf Named Crow" at THIS LOCATION.
Recording in North Carolina with longtime producer John Custer, No Cross No Crown sounds as though no time has passed between 2005's In The Arms Of God and today. Some of these new jams sound like they could've easily appeared on Wiseblood or Deliverance, two of CORROSION OF CONFORMITY's most revered records. Beefy Southern stompers like "The Luddite," "Little Man," and "Forgive Me" are interspersed with melancholy guitar interludes like "No Cross," "Matre's Diem," and "Sacred Isolation" - just like Sabbath used to do in the '70s. "We started doing that on Deliverance," Keenan points out. "My theory on that is that if you're trying to make a record flow, you need to break it up a little. When you need a breather, write an interlude. I like writing those mellow pieces just to space things out and make the next thing come in heavier."
Of course, the band recognized that any new CORROSION OF CONFORMITY album with Keenan out front would be analyzed, scrutinized, and held up for comparison with aforementioned gems like Deliverance and Wiseblood. "That was in the back of my mind the whole time," Keenan acknowledges. "The big thing for me was trying to write songs that have the same attitude and caliber that we were used to doing. I didn't wanna get out there like some 50-year old dude making a mediocre record."
CORROSION OF CONFORMITY will join Black Label Society for a mammoth North American live takeover this winter. The tour begins December 27th, 2017 in Denver, Colorado and will wind its way through nearly four dozen cities, the journey coming to a close February 27th, 2018. Additional support will be provided by Eyehategod and Red Fang on select shows. See all confirmed dates below.
CORROSION OF CONFORMITY w/ Black Label Society, Eyehategod (12/29 - 1/20; 2/11 - 2/27), Red Fang (1/26 - 2/09):
12/27/2017 Ogden Theatre - Denver, CO
12/29/2017 Anthem at Hard Rock Hotel & Casino - Sioux City, IA ^
12/30/2017 Uptown Theater - Kansas City, MO ^
12/31/2017 Pop's Nightclub - Sauget, IL^
1/02/2018 Sokol Auditorium - Omaha, NE^
1/03/2018 House Of Blues - Chicago, IL ^
1/04/2018 Egyptian Room at Old National Centre - Indianapolis, IN ^
1/05/2018 The Fillmore Detroit - Detroit, MI ^
1/07/2018 Upstate Concert Hall - Clifton Park, NY ^
1/08/2018 M Telus - Montreal, QC ^
1/09/2018 Rebel - Toronto, ON ^
1/10/2018 20 Monroe Live - Grand Rapids, MI ^
1/12/2018 Diamond Ballroom - Oklahoma City, OK ^
1/13/2018 Bomb Factory - Dallas, TX ^
1/14/2018 Emo's - Austin, TX ^
1/15/2018 House Of Blues - Houston, TX ^
1/17/2018 House Of Blues - New Orleans, LA ^
1/18/2018 Marathon Music Works - Nashville, TN ^
1/19/2018 Bogart's - Cincinnati, OH ^
1/20/2018 Center Stage - Atlanta, GA ^
1/26/2018 Jannus Live - St. Petersburg, FL *
1/27/2018 House Of Blues - Myrtle Beach, SC *
1/28/2018 The Ritz - Raleigh, NC *
1/29/2018 The Fillmore Silver Spring - Silver Spring, MD *
1/31/2018 PlayStation Theater - New York, NY *
2/01/2018 The Palladium - Worcester, MA *
2/02/2018 Aura - Portland, ME *
2/03/2018 Electric Factory - Philadelphia, PA *
2/05/2018 Town Ballroom - Buffalo, NY *
2/06/2018 The Goodyear Theater at East End - Akron, OH *
2/07/2018 Stage AE - Pittsburgh, PA *
2/08/2018 Eagles Ballroom Club Stage - Milwaukee, WI *
2/09/2018 Myth Live - St. Paul, MN *
2/11/2018 O'Brians Event Centre - Saskatoon, SK ^
2/12/2018 The Ranch Roadhouse - Edmonton, AB ^
2/14/2018 Commodore Ballroom - Vancouver, BC ^
2/16/2018 Bowes Event Center at Revolution Place - Grande Prairie, AB ^
2/17/2018 MacEwan Hall - Calgary, AB ^
2/19/2018 Showbox SoDo - Seattle, W ^
2/20/2018 Roseland Theater - Portland, OR ^
2/21/2018 Ace Of Spades - Sacramento, CA ^
2/23/2018 House of Blues - Las Vegas, NV ^
2/24/2018 The Marquee - Tempe, AZ ^
2/25/2018 Sunshine Theater - Albuquerque, NM ^
2/27/2018 The Fonda Theatre - Los Angeles, CA ^
^ w/ Eyehategod
* w/ Red Fang
CORROSION OF CONFORMITY is:
Pepper Keenan - vocals, guitar
Woodroe Weatherman - guitar
Mike Dean - bass, vocals
Reed Mullin - drums, vocals
Deluxe 400-page softcover book with foreword by Civ of Gorilla Biscuits
This deluxe softcover runs 400 pages, features a foreword by Civ of Gorilla Biscuits, includes a full-color insert, and after is available HERE. This is the latest authoritative and exhaustive leap by Bazillion Points into the vast demi-world of a powerful DIY subculture. Launch events were mobbed at the Sonos NYC store, Bridge 9 Records in Boston, and Hold Fast Records in Asbury Park, NJ, where Tony Rettman sat for a riveting Q&A with Minor Threat's Brian Baker.
Starting in 1981 via Minor Threat's revolutionary call to arms, the clean and positive straight edge hardcore punk movement took hold and prospered during the 1980s, earning a position as one of the most durable yet chronically misunderstood music subcultures. Straight edge created its own sound and visual style, went on to embrace vegetarianism, and later saw the rise of a violent militant fringe. As the "don't drink, don't smoke" message spread from Washington, D.C., to Boston, California, New York City, and, eventually, the world, adherents struggled to define the fundamental ideals and limits of what may be the ultimate youth movement.
Tony Rettman traces the story of straight edge from adolescent origins to enduring counterculture via fresh first-hand accounts from the clear and alert members of Minor Threat, SS Decontrol, Youth of Today, DYS, Slapshot, Uniform Choice, 7 Seconds, Stalag 13, Justice League, Chain of Strength, No for an Answer, Insted, Gorilla Biscuits, Judge, Bold, Project X, Lärm, Brotherhood, Shelter, H2O, Half Off, Resurrection, Raid, Strife, Earth Crisis, Vegan Reich, Mindset, Stop and Think, Mouthpiece, Floorpunch, Ten Yard Fight, Mental, Fucked Up, Trial, Have Heart, Praise, Clear, the Geeks, and many others.
Time Out New York calls the book: "a trip through the storied history of the straight edge punk movement, from its origins in 1981 as a call-to-arms from the band Minor Threat to its later flourishing as a fully-fledged counter-culture manifesto."
"What separates hardcore from punk is that punk was just saying, 'fkck this place.' Hardcore was saying, 'let's make a difference. Let's make our minds stronger and focus.'"
- Toby Morse, H2O
"We were out to create a revolution. We loved the power and energy of hardcore, but not the whole self-destructive punk ethos. We were into being healthy and living clean, mean, and smart."
- John Porcelly, Youth of Today
"Straight edge became a religion. It's a very strange feeling to be one of the unwitting founders of this religion."
- Jeff Nelson, Minor Threat
"I'm honored to be part of this book, which accurately recalls a counterculture within a counterculture, a movement that changed the course of so many people's lives, including my own. Straight edge gave us some stable footing and handrails in a confusing time, and provided us a soundtrack of hard, positive, and life-affirming music to craft our progressive and positive adult lives. This book will serve as a crucial and authoritative glance into that world, shining light for fans around the globe on a time that we will never forget."
- Ray Cappo, Youth of Today
"I fxcking loved it! The SSD stuff was amazing, they were my game changer. I also really loved the Uniform Choice chapters. It's a great book. Tony Rettman has done it again, and I'm stoked to have a small part in it."
- Mike Ferraro, Judge
"I will look forward to having this on our coffee table and showing it and reading it with pride for my role in this beautiful movement, for what you've done and captured, and what straight edge was, is and will be."
- Dave Smalley of DYS/All/Dag Nasty
"Tony Rettman's book is THE CHOICE for a firsthand account of the history, inner workings, and real truth of straight edge, one of the most important cultural influences of the last century."
- Al Barile, SSD
"A fantastic read and a true documentation straight from the people who made this small scene an important piece of music history."
- Dennis Lyxzen, Refused
"I love this book! Everyone's stories are tied together to bring validity to the subject. Rettman covered a lot of ground here, and I'm impressed."
- Steve Larson, Insted
Wednesday, December 13, 2017
Angus Black - Angus Black
Antti – Guitar/Vocals, Jyri – Bass, Sampo – Drums
All The Sins is slow dark and heavy plodding along like a snail with stoner rock vocals. I’ll Guide You Home has a mid-tempo Sabbath riff and drum bass rhythm with some very dark soulful vocals. I’m Yours is over 12 minutes of slow plodding droning music that takes you on a trip to who knows where. Incomplete feedback and a great riff that sound like Sabbath slow and heavy with some excellent drums and bass that speeds up for a short while then back to the original pace. Children of The Stars is stoner head banging heaven great riffs time changes and some excellent bass and leads that will have you playing air guitar. Leaving some excellent drums that just plod along then the bass and guitar kick in to slowly drag you to the depths of who knows where.
Void Generator - Prodromi
Gianmarco Lantaffi – Guitar, Sonia Caporossi – Guitar, Enrico Cosimi – Synths, Marco Cenci – Drums
40 Kiloparsecs is prog rock with excellent riffs and strange sounds along with some excellent drumming and bass work kind of like heavy Tangerine Dream. Sleeping Waves strange sounds tripping through your mind and a rhythm that just worms its way into your brain taking you on a trip to far beyond psychedelic space rock at its best. I Am The Brave another trip thru time and spaces and the farthest reaches of your mind just sit back close your eyes and enjoy. Calvary ends this musical odyssey with sounds of a crowd and a band tuning up the slow melodic music that twist and turns its way into your soul.
Babylon A.D. – Revelation Highway
Derek Davis – Vocals/Keyboards/Guitar, Ron Freschi – Guitar, John Matthews – Guitar/Keyboards, Robb Reid – Bass, James Pancheco- Drums
Crash And Burn is classic Babylon AD with an awesome catchy riff and excellent sing along vocals mixed with some shredding guitar. Fool On Fire melodic guitar and soulful vocals with a riff that builds and makes you want to just groove to the beat reminds me of Y&T. One Million Miles is one excellent toe taping sing along power ballad with lots of style and emotion and some awesome lead guitar. Tears vocals that have emotions just dripping from them a riff that will stick with you for days and some awesome musicianship these guys know how to rock. She Likes to Give It would be an excellent song for strippers to use what a rhythm slow and sexy foot tappin and ready to rock. Rags To Riches awesome drum intro with a bass that just makes you wanna groove and a riff that will have you pumping your fist in the air those powerhouse vocals and some screaming lead guitar hell yeah. Last Time For Love takes you on a trip back to the 80s and those great melodic hard rock sing along songs just close your eyes and drift back in time. I’m No Good for You another excellent melodic hard rock metal song with powerful vocals great rhythms and scorching guitar. Saturday Night awesome riff that just takes you back to your youth and the excellent fist pumping sing along songs from the 80’s. Don’t Tell Me Tonight makes your feet start movin and your head start swaying what a great catchy riff that just sticks in your head an awesome song to end the album hard and sweaty.
Isendoral- Lughnasadh MMXVII
Inevitable Product Of The Foretold acoustic Celtic heartfelt slow emotional music with lots of great emotions. Disillusion Into The Earth more Celtic/renaissance style of melodic acoustic music that just warms the soul.
Interstelar – Resin
Kothmann – Vocals/Guitar, Gary Gladson- Guitar, PJ McMullan – Drums, Joe Puccio – Bass
Silo has a driving heavy riff with a tribal drum beat and soaring guitars. Resin a slow steady drum beat then a solid rumbling bass and guitar feedback that turns into a slow BLS style meets the M5/Amboy Dukes type of song. High Horse a melody that slowly builds with a guitar lead that is in the feel of Pink Floyd and some excellent vocals with lots of reverb. Hold it is a straight forward hard rock metal riff that will have you fist pumping and singing along or playing air guitar. Opposite Daze (II) a slower Zeppelin style of riff that just works its way thru your very being. Armada (II) is a Sabbath/BLS feeling riff that works from heavy to lighter and back over and over with lots of emotion and searing lead guitar. Behold a dark heavy riff that is very emotional great vocals and amazing rhythm work. Sequoia is very melodic and back woods southern sounding with maybe an Allman Bros feel.
Tuesday, December 12, 2017
Ripple Music is thrilled to announce the worldwide release of Cry Witch, the debut album from Austin, TX-based four piece and old school doom metal band, Witchcryer.
As indebted to the heavy rock muscle of Black Sabbath, Deep Purple, Uriah Heep, and Blue Oyster Cult as their doom descendants Witchfinder General, Trouble, and St. Vitus, Witchcryer’s mix of influences puts emphasis on strong riffs, memorable hooks and dynamic strong structures.
Created by guitarist Jason Muxlow during his time with Chicago doom band Earthen Grave (also signed to Ripple Music), the band became his priority when he moved to Austin in early 2015 and began co-writing songs with drummer Javi Moctezuma. ‘The Preying Kind’ demo was recorded and released shortly after the arrival of vocalist/lyricist Suzy Bravo, who joined the band later that same year. With the final addition of San Antonio bassist Marilyn Monroe (Pillcrusher, ex-Las Cruces), the band played its first show in April 2016 and have since been described as “an onslaught” and “revelatory” with Bravo singled out as, “a powerful and amazing stage presence” Negalithic
Having recently completed their first ever US tour with Italian doom band Messa, Witchcryer’s debut album Cry Witch – which had originally been self-released earlier in year on CD – features nine songs of classic doom, produced by the band and Brant Sankey.
The album has already been described as one of the year’s best kept-secrets and as such has been heralded as one of 2018’s most exciting new discoveries. Cry Witch is released worldwide on 19th January 2018 on Ripple Music and you can stream and share the title track ‘Cry Witch’ here – https://soundcloud.com/ripple-music/witchcryer-cry-witch-01-cry-witch
Monday, December 11, 2017
This gem that is 'Heavy Fire' has been out for a while now and like very fine wine, it has aged amazingly well. And that’s the reason why I took my time to write this review. Black Star Riders have been close to my heart from the moment I heard they had formed. After all, Scott Gorham from my favourite band of all time, Thin Lizzy, got the band going with Ricky Warwick from another favourite band, The Almighty, so of course, I would be into them. Even though their first two albums, ‘All Hell Breaks Loose’ and ‘The Killer Instinct’ are very good in their own right, they both show a band trying to find it’s identity, where especially ‘The Killer Instinct’ quickly lost momentum. And that’s why I used the long time frame to put these words on paper. I wanted to give the new wax time to breathe. And it sure as hell paid off. Because on ‘Heavy Fire’ all the pieces have fallen in place and Black Star Riders are finally Black Star Riders with a killer album to match.
The title track catapults opus number three into orbit immediately with it’s hard, razor sharp riffs and super heavy rhythm section. And I think it’s safe to say that the song epitomizes what Black Star Riders are. Every little piece used to form and shape the band is featured and the end-result is fantastic. ‘When The Night Comes’ keeps the pace with a heavy rocking chorus while the verses bring out that punk and diesel attitude The Almighty perfected. And man, Black Star Riders are on fire. Scott Gorham’s past comes out beautifully in ‘Dancing With The Wrong Girl’. The heritage of Thin Lizzy is all over the place, if you ask me. The storytelling, the harmonies, the solos, you name it, making it a brilliant homage to the best band in the world. ‘Who Rides The Tiger’ hits the ground running as the band elegantly rocks hard, real hard pounding the listeners into the ground with a music barrage of unheard of portions. So by the time ‘Cold War Love’ starts it gives you a chance to catch your breath. Being the closest thing to a ballad it allows an old timer like yours truly to ponder one’s ability to keep up with even older guys who kick your ass so easily. Not that I’m complaining but this sad song of longing and despair is the perfect bridge back into heavier rock territories.
A little bit slower but full of mesmerizing twin-axe harmonies and some sweet bluesy solos, ‘Testify Or Say Goodbye’ grabs you immediately and reels you in hook, line and sinker. ‘Thinking About You Could Kill Me’ ups the ante with a thumping bass guitar line leading the way until the song gradually becomes heavier and rockier. Semi-heavy and bluesy in approach which goes back and forth between sombre explicit parts and more in-your-face attitude, ‘True Blue Kid’ has an amazing exchange between guitarists Scott Gorham and Damon Johnson through the solos and harmonies. Beautiful, waveriders, beautiful! A strange yet spellbinding mix of heavy blues, punk - mainly in the vocal and lyric delivery - and soul ‘Ticket To Rise’ confirms even further that Black Star Riders have honed in on their own sound. Up front and personal, the band is on fire, to say the least. Ending with a more punkish song in ‘Letting Go Of Me’, especially in attitude, the guys add sharp riffs as well as melody resulting in a perfect closer.
An album you go back to time and time again, is the perfect sign of greatness. Whether it’s on constant play or sometimes put away only to be frequently revisited, either way is, in my opinion, one of the biggest compliments you can give a record. And ‘Heavy Fire’ falls into this exclusive group, and then some. Black Star Riders has finally reached that place where everything they do is right, which, in turn, means the album(albums) they release are going to have a great lasting effect. A fantastic third recording by a band who deserves the greatest accolades. Don’t miss out, waveriders!
Sunday, December 10, 2017
Two years after their last outing and after a couple of great tours the Roma rockers Black Rainbows are back with a new drummer and an incredible record coming out in spring via Heavy Psych Sounds!!!
Since the release of their debut album, Twilight in the Desert, in 2007, Roma rockers Black Rainbows have become one of the most essential acts in Europe’s heavy underground. As the spearhead of an entire movement of Italian bands, They’ve issued five full-lengths to-date and are on the precipice of their sixth in 2018, with founding guitarist/vocalist Gabriele Fiori and bassist Giuseppe Guglielmino welcoming new drummer Fillippo Ragazzoni to the fold for the first time.
Across albums like 2010’s Carmina Diablo (recently reissued), 2011’s Supermotherfuzzalicious!!, 2015’s Hawkdope and 2016’s Stellar Prophecy, Black Rainbows’ sound has oozed between classic ‘90s-style stoner fuzz and deep-cosmos psychedelia, drawing on the best of hard-driving space rock to conjure a vibe totally tripped-out and all its own. By bringing Ragazzoni on board, the riffs have gotten tighter and are fuzzed as ever, and two years after their last outing, Black Rainbows enter 2018 refreshed and with well-earned veteran status resulting from countless tours, festival appearances, and their track record of absolutely unstoppable energy.
BLACK RAINBOWS are:
Gabriele Fiori - Guitar & Vocals
Giuseppe Guglielmino - Bass
Filippo Ragazzoni - Drums
Heavy Psych Sounds Records&Booking
CLAMFIGHT: New Jersey Quartet To Release III LP Via Argonauta Records In January; Track Debuted At Doomed And Stoned + Preorders Posted
New Jersey sludge crushers CLAMFIGHT present their third album, III, which will see January release through Argonauta Records. Alongside the album's cover art, track listing, and other details, the band and label have teamed up with Doomed And Stoned webzine to premiere the album's first single, "History Of The Earls Of Orkney."
CLAMFIGHT offers, "We're thrilled to be working with Argonauta for the upcoming release of III. We had a few options available to us however we kept going back to Argonauta because Gero seemed so genuine and honest to work with. We're also pretty tight with the lads in Hollow Leg and they had nothing but great things to report regarding their experience with Argonauta. We're excited about the potential that exists with this budding relationship and look forward to broadening our reach across the Atlantic and helping promote the other great bands on the Argonauta roster!"
With their debut of "History Of The Earls Of Orkney," Doomed And Stoned reports in part, "CLAMFIGHT have always offered up a lot of fun with their song titles and especially their lyrics. This go 'round, they're honed in on a theme, of sorts: the small Scottish islands of Orkney... III transports us to another world, one that is less fantasy and more a part of history, which is always twice as fascinating to me."
Stream the new song at THIS LOCATION.
Booming with five massive tracks which total nearly forty-five minutes of groove-laden sludge-soaked stoner rock jams, CLAMFIGHT sounds more victorious in their thunderous mission than ever before on their third full-length release. III was recorded and produced at Gradwell House Studios in New Jersey by Steve Poponi, with additional recording by Davin Sosa and Christopher Skowronski. The album was mastered by Dave Downham at Gradwell House, and completed with photography by Woody Musgrove, and features guest contributions of lead guitar on "Whale Road" by CWolf, lead vocals on "Echoes In Stone" by Jean Saiz and Janette Valentine, and lead guitar and sonic spookery on "Echoes In Stone" and "Whale Road" by Erik Caplan.
CLAMFIGHT's III will see CD and digital release on January 19th through Argonauta Records; find preorders HERE.
A vinyl pressing of III will see release through Elder Magick with a release date to be announced.
III Track Listing:
1. Whale Road
3. Echoes In Stone
5. History Of The Earls Of Orkney
CLAMFIGHT has booked several new shows to break the new year in, beginning with a record release show for III in Philadelphia with Kings Destroy on January 19th. The next week they head south for two shows with Rukut, playing in Frederick January 26th and Charlottesville the 27th.
Watch for additional audio samples, tour dates, and more to be issued in the weeks ahead.
1/19/2018 Century - Philadelphia, PA *Record Release show w/ Kings Destroy
1/26/2018 Guido's Speakeasy - Frederick, MD w/ Rukut
1/27/2018 TBA - Charlottesville, VA with Rukut
The members of CLAMFIGHT, Joel Harris, Louis Koble, Andy Martin, and Sean McKee, are childhood friends turned grown-ass men who are almost as committed to big riffs as they are to each other. Influenced in equal parts by their dads' vinyl, that sketchy older kid from woodshop class' thrash and hardcore tapes as well as touchstone heavy bands like Sleep, Clutch, Neurosis, Eyehategod, and Mastodon, the band has plied its unique brand of suburban working slob metal up and down the East Coast of the United States since 2005. Having issued a debut album, Vol. I, in 2010, and a second album, I vs. The Glacier, in 2013, the quartet is now poised to release its third full length, III, through Argonauta Records.
Saturday, December 9, 2017
As someone who loves exploring new sounds in music there is something incredibly comforting in knowing that you can always go home again. What does that mean? I'm describing a situation in which you discover an artist you enjoy releases a new collection of songs and you know, music unheard, that you're about to listen to tunes that will reconnect you with what made you love music in the first place. Speaking for myself I recently received the new Love Under Fire EP from Dan Miraldi and sure enough, it helped me return to my original musical happy place.
Thanks to my work at The Ripple Effect I was exposed to Dan Miraldi a few years ago. He had put out a fantastic EP, appropriately titled Tease, which I took great pleasure in reviewing. Sonically Mr. Miraldi expertly mines the classic rock/power pop vein that I identify with based off of the music I was regularly exposed to at a young age. Years have passed but anything this young man releases I find captivating. The Love Under Fire EP is no exception.
"The Sweet Sound Of Protest" explodes out of the gate thanks to its tremendous, rollicking guitar riff. "Love Under Fire" brings the tempo down and features drum programming which reminds me of Nine Inch Nails "Closer". "No Words" hearkens back to haunting psychedelic folk rock. "Fear Is A Powerful Drug" is a Simon And Garfunkel-esque melancholy-filled acoustic ditty. Closing out the EP "Name Of Love" and "Kids Are In The Street" ratchet the energy level back to dangerous levels with big, rockin' choruses.
Waveriders, if you have a hankering to hear some exceptional new music built upon the extraordinary foundation of 1960s and 1970s rock 'n' roll this EP is for you! Dan Miraldi is a superb singer/songwriter who has never disappointed me with his music. Pick up your copy of the new Love Under Fire EP today!
Friday, December 8, 2017
Be prepared as Ripple Music takes over Thee Parkside stage for the second RippleFest!
This time, bigger and badder than ever, RippleFest II (a.k.a The Ripple Rager) features 5 (!) Ripple bands including Montreal's The Hazytones as they stop by on their cross North American Tour.
Jam to the heaviness of The Watchers, The Hazytones, ZED, Blackwulf and War Cloud, Saturday night Feb 3, at 8pm at Thee Parkside in San Francisico. Tickets available at the door and can be pre-purchased at :
Here's the facebook event page with more info!
Don't miss one of the Bay Area's premiere heavy events of 2018!
California-based Ripple Music is one of the world's leading purveyors of heavy psych, stoner, doom and heavy rock. All Ripple releases are available in physical and digital formats world-wide, and at the Ripple Music webstore and Bandcamp pages. Check out the Ripple Music website for all news and information.
Thursday, December 7, 2017
Lady Beast – Vicious Breed
Deborah Levine- Vocals, Andy Ramage – Guitar, Chris Tritschler – Guitar, Greg Colaizzi – Bass, Adam Ramage – Drums
Seal The Hex has some great acoustic guitar and orchestration then a Judas Priest style of riff that just gets you fist pumpin' and some dual lead guitars that are great then a speed metal rhythm with some very powerful female vocals that remind me of Zed Yago. The Long Way is just pure metal at its finest, fist pumping head banging metal with soaring vocals and screaming guitars. Lone Hunter will have you doing air guitar or drums and would be awesome live to just rock out to. Always With Me has a riff that sticks in your head for days and an awesome bass and drums that just makes you want to hear more along with the soaring vocals reminding me of Hellion. Get Out is speed metal in all its glory, fast and heavy but still melodic. Every Giant Shall Fall has an Iron Maiden style of rhythm like the sounds of thundering horses and vocals that reach your very soul. Sky Graves slow and melodic guitars and a crash of cymbals then a plodding riff that is very soulful along with some excellent guitar that builds in intensity till the end with scorching guitars. Vicious Breed is Overkill meets Iron Maiden, fast and heavy but with melody and lots of great fist pumping metal riffs.
The Obsessed – The Obsessed (Reissue) with Bonus – Concrete Cancer demo cassette and Live At The Bayou 4/15/1985
Scott Wino Weinreich -Guitar /Vocals, Reid Raley – Bass/Vocals, Brian Costantino – Drums/Vocals
Tombstone Highway is excellent stoner rock originally from 1990 with lots of emotion and it has sort of a Mahogany Rush flavor to it with searing guitars. The Way She Fly dark and dreary with lots of dark emotion and a slow heavy beat. Forever Midnight is very soulful in a Hendrix sort of way with some excellent bluesy guitar and a very solid rhythm section. Ground Out scorching guitar that will have you playing air guitar and a solid heavy pounding riff. Fear Child is a very Sabbath/Zeppelin style of riff with some great twists and turns. Freedom is a Dio era Sabbath style of riff and solid beat with some amazing bass and scorching guitars which turns into an Ozzy style of song. Red Disaster mixes Sabbath with stoner rock and some acid rock and you will have this. Inner Turmoil is slow, steady, and pounding. Get ready to just kick back and drift along with this rhythm. River Of Soul reminds me of some of the older Trouble songs slow and pounding working its way down the road.
Concrete Cancer Demo – Concrete Cancer is excellent stoner Sabbath feeling music that takes your brain on a strange trip. Feelingz has a sort of garage band meets stoner rock meets heavy metal with some feeling like Highway Star by Deep Purple along with some ripping guitar. Mental Kingdom excellent drumming with freak guitar work and a solid bass that rumbles your brain. Sit back and enjoy. Hiding Masque slow melodic acoustic guitar melds it way into your hearing then a riff that catches your attention and stays for a while.
Live At The Bayou (4/15/1985)- Ground Out/Feelingz get ready to check out the Obsessed live and in your face tripping through time and space with some excellent stoner rock. Concrete Cancer will have the entire crowd head banging to the metal riff and fist pumping along. No Blame is a punk meets metal style of song that will leave you wanting more. Mental Kingdom will have you playing air drums and riffing your head off with a Hendrix meets Sabbath feel. Tombstone Highway guitars tuning and a rhythm that just takes you driving down the highway. Iron And Stone is almost speed metal with some amazing guitar and pounding drums that has a bass that just helps keep up the pace. River Of Soul is slow and steady with lots of dark emotions that just tries to steal away your very soul. Sitting on a Grave / I Don’t Care this will have the entire crowd jumping and moving around to the beat. Freedom deep bass that gets the rhythm rolling along with some excellent drums that make you want to air drum. Indestroy/Kill Ugly Naked is thrash speed metal grinding and pounding its way into your very psyche.
Pale Mare – Pale Mare
Eytan Gordan – Guitar Vocals, Tommy Gervais – Bass/Vocals, Luke Roberts – Drums
Carthage fast in your face heavy stoner rock with lots of grinding guitars solid heavy bass and drums dark yelling screaming vocals. Descolada heavy rumbling bass, a fast drum beat and riffing guitars with more dark rough vocals. Hoplite starts slow and steady then kicks in to run you over with thrash/stoner death metal intensity.
Tuskar – Arianrhod
Tylar Hodges – Vocals/Drums, Tim Dimmock- Guitar
Fateweaver guitar feedback, pounding drums and guitars that scream and wail and lots of strange sounds. Where Strides The Colossus slow grinding rough rhythms that slowly push you over the abyss with yelling vocals. Toegrinder heavy pounding ripping guitars and then it slows down then dark gruff vocals. Moon Hooch more feedback and rough riffs slow and steady like being run over by a steam roller. Crimson Skull strange melodic sounds then a pounding beat that just tries to sneak around you and then push you over a cliff.
Bigfoot - Bigfoot
Anthony Ellis – Vocals, Sam Millar – Guitar, Mick McCullagh – Guitar, Matt Avery – Bass, Tom Aspinall - Drums
Karma has a Dream Theater meets Scorpions feel to the riff and some very powerful vocals that are easy to sing along to. The Fear is a great song to drive down the highway to with some emotional vocals and awesome rhythm and soaring guitar. Tell Me A Lie is a fast blues based style of head banging riff that makes you want to fist pump and mover from the very first note. Forever Alone starts with very melodic guitar and very emotional vocals then slowly gets heavier becoming a great power ballad. Eat Your Words more awesome blues based hard rock with a beat that will have your feet a movin and grooving. Prisoner Of War has sort of a southern rock style of guitar reminds me of Blackfoot mixed with Tyketto. Freak Show is a straight ahead hard rock metal song with lots of great rhythm section work and a voice that just seems to send you many places of excellence. I Dare You gets your body to grooving and your feet to tapping with a very catchy riff with an awesome sing along vocal and scorching guitar. The Devil In Me is more southern rock meets hard rock with vocals that just soar and a riff that stays with you almost forever and lead guitar that just sings. Uninvited will have the entire crowd jumpin and fist pumping as well as singing along. Yours slow melodic bass and great heartfelt vocals then a riff that makes you sway and slowly builds to a crescendo.
Wednesday, December 6, 2017
AMORIELLO is the project of Philadelphia-born guitarist and children’s picture book author, Thomas Amoriello, who has teamed up with a stellar roster of special guest musicians including former members of Black Sabbath, Whitesnake, Ozzy Osbourne, Yngwie J. Malmsteen’s Rising Force, and the Michael Schenker Group to bring the 80's inspired metal with a modern feel. The first AMORIELLO release with H42 Records features a power ballad called Flood with Swedish vocalist Göran Edman (Yngwie, John Norum), British bass legend Neil Murray formerly of Whitesnake and Black Sabbath, session ace drummer extraordinaire Atma Anur (Jason Becker, Cacophony, Richie Kotzen) and former Yngwie keysman Michael Troy.
An epic guitar instrumental called Nightmusic MCX with former Ozzy, Ultimate Sin era bassist Phil Soussan, Canadian drum virtuoso Shane Gaalaas (Michael Schenker Group, Uli Jon Roth) rounded out by Michael Troy fills up the B-Side with anthem like, 80's inspired metal.
Amoriello’s books, A Journey to Guitarland with Maestro Armadillo and Ukulele Sam Strums in the Sand, have received favorable reviews in Guitar Player Magazine (USA), Rock Hard Magazine (Germany), Screamer Magazine (Los Angeles) and praise from guitar legends Brian May, Steve Hackett and Jennifer Batten. Amoriello is also a respected music educator in the United States and earned a Master of Music Degree in classical guitar from Shenandoah Conservatory and is the Chair-Elect on the Council for Guitar Education of the National Association for Music Education.
Billion Dollar Babies, Feat. Original Alice Cooper Group Members, First Ever Live Show - Flint 1977 Now Available!
Featuring Michael Bruce, Dennis Dunaway & Neal Smith!
Alice Cooper was undoubtedly one of the major rock artists of the 1970s and 80s. However, what is less well known is that originally the man now known as “Alice” was called Vince and he was the lead singer of a band called “Alice Cooper.” The band consisted of lead singer Vince Furnier, Glen Buxton (lead guitar), Michael Bruce (rhythm guitar, keyboards, main songwriter), Dennis Dunaway (bass guitar), and Neal Smith (drums). Furnier legally changed his name to Alice Cooper and has had a solo career under that name since the band became inactive in 1975. The Alice Cooper Group played their final show on April 8, 1974 in Rio de Janeiro, Brazil.
Bruce, Dunaway and Smith would go on to form the short-lived band Billion Dollar Babies, producing one album titled “Battle Axe” in 1977. While occasionally performing with one another and Glen Buxton, they would not reunite with Alice until October 23, 1999, at the second Glen Buxton Memorial Weekend for a show at CoopersTown in Phoenix (Buxton having died in 1997). This is a recording of the Billion Dollar Babies first ever live show on July 6, 1977 in Flint, Michigan, and what a show it was!
I Miss You
Rock n Roll Radio
Love is Rather Blind
Rock Me Slowly
Alice Cooper Medley: No More Mr Nice Guy/Neal Smith solo/Elected/Eighteen/School's Out
Battle Axe Suite: Ego Mania
Nights in Cracked Leather/Sudden Death/Winner
Billion Dollar Babies
To purchase Billion Dollar Babies First Ever Live Show - Flint 1977 (CD): http://www.gonzomultimedia.co.uk/product_details/16073/Billion_Dollar_Babies-First_Ever_Live_Show_-_Flint_1977.html
Tuesday, December 5, 2017
The Hazytones set their sites on North America as they announce 6 week cross-continent North American Tour!
Having already taken Europe and Canada by storm, The Hazytones now set their sites on the USA and Mexico as they announce their first ever cross-continent North American Tour!
Founded in 2015 in Montreal, Canada by singer/guitarist Mick Martel and drummer Antoine St-Germain, and now fleshed out by bassist Adam Gilbert, The Hazytones is a heavy stoner rock trio renowned for their onstage presence and musical intensity.
No strangers to the road, The Hazytones already laid waste to large areas of Canada on their inaugural, twenty-three show tour across that nation--touring behind the strength of their first single and music video, ‘Living On The Edge’.
Now the band will storm North America for a massive 6 week --43 shows in 46 days-- trek across USA, Mexico and Canada in support of their Ripple Music debut LP, The Hazytones. Originally self-released and and widely received by stoner/psychedelic rock communities, the band signed to heavy rock leader, Ripple Music for an exclusive North American release of the album.
The trio are know to stun their audiences with riff after riff fat tone and heavy destruction. See the tour poster below for dates near you. Not a show to miss!
Stream and share the album in full here – https://ripplemusic.bandcamp.com/album/the-hazytones
Or order the album now at www.ripple-music.com
Founded in 2015 in Montreal, Canada by singer/guitarist Mick Martel and drummer Antoine St-Germain, and now fleshed out by bassist Adam Gilbert, The Hazytones is a heavy stoner rock trio renowned for their onstage presence and musical intensity.